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Cosentino presents a large-scale installation at Milan Design Week

Cosentino showcases the material qualities of Dekton surface material through an immersive installation designed by Benjamin Hubert of LAYER.

Text by Vanitha Pavapathi

Following a highly successful preview during the recent Madrid Design Festival 19, Raytrace designed by Benjamin Hubert of LAYER for Consentino now exhibits at Milan Design Week 2019. The immersive architectural installation showcases the material qualities of Cosentino’s Dekton surface material and how it comes to life with light.

Caustic Spheres - Raytrace by Benjamin Hubert of LAYER for Dekton installation at Milan Design Week 2019. Image Credit - David Zanardi

Exhibited in the historical vaulted warehouses beneath the Central Train Station, Raytrace is a 25-metre-long, six-metre-high triangular passage composed of 380m2 of Dekton’s newest ultra compact surface – Dekton Slim with a thickness, or rather thinness of only four millimeters. Seemingly balanced on a single edge within the dark atmospheric tunnels of Ventura Centrale, the surfaces create a large passageway in which visitors can walk through.

Raytrace by Benjamin Hubert of LAYER for Dekton installation at Milan Design Week 2019 Image Credit - David Zanardi

Upon entering the passageway, a mesmerising caustic pattern – made possible by 29 glass spheres and 87 LED lights – slowly dances across the surface, emulating light refraction through water. The effect gives visitors the sense of being underwater without the need for scuba-diving equipment nor the ability to swim. They also become part of the installation when their shadows are cast against the structure’s surface. Two mirrors at either end of the vault reflect the installation, further creating the illusion of an infinite space.

Cosentino– Benjamin Hubert – Raytrace by LAYER for Dekton installation at Milan Design Week 2019–photo credits Jose Santopalomo (4)

Drawing inspiration from Dekton’s creation process when designing Raytrace, Benjamin ultimately put the element of water back onto the material with caustics. “The extraction of water using extreme heat and pressure throughout the manufacturing process is what makes Dekton a durable material most suited for architecture. Raytrace is a direct response to this method,” says Benjamin. “But the most important thing about Raytrace is how it makes people feel. We encourage people to touch it, to interact and really experience the properties of Dekton.”

A powerful combination of design, nature and emotion, “the installation not only demonstrates the versatility of Dekton, but we hope that it can inspire architects and designers to think about the future of architecture and use our material in new ways,” says Santiago Alfonso, Vice President of Marketing and Communication at Cosentino Group.

If you’re in Milan, experience the installation at Ventura Centrale, Via Ferranti Aporti 27.

Cosentino
www.cosentino.com

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